Showing posts with label Culture. Show all posts
Showing posts with label Culture. Show all posts

Sunday, August 12, 2012

The Fareed Zakaria episode and the hypocrisy of American media


There is a pernicious irony in the whole Fareed Zakaria controversy. The messenger has been shot at (suspended, if you will) by the same media fraternity that is supposed to protect him. Worse, he has been shot down (so to say) for questioning a culture that considers shooting people a banal reality of human existence; a culture that displays an adamant refusal to encourage any debate on the practice, no matter what price it pays for it. Or others do.

In a piece Zakaria wrote for Time on gun control after the tragic Wisconsin Gurudwara massacre, he lifted a passage from Harvard University history professor Jill Lepore’s piece on the same issues published in The New Yorker. The plagiarism was caught. Zakaria apologized while his employers – Time and CNN (both, by the way, owned by Time Warner) – promptly suspended him from his duties as editor-at-large and host respectively “pending further review”. The future of one of the brightest intellectuals hangs in the balance.

I have no intention to defend Zakaria’s plagiarism here. But I feel sorry for him. I am also amazed and shocked at the oversight such a celebrated columnist committed by not attributing a small passage to a fellow intellectual. Considering the fact that Zakaria was taking on perhaps the most powerful lobby in the world on an issue that the US loves to be evasive about, I wish he had shown more diligence than he did.

Having said that, I also invite you – the proud third-world consumers of the largest media industry in the world – to have a closer look at the magnificent hypocrisy behind the American mainstream media’s self-righteousness and perceived integrity. Today, Time and CNN are considered the benchmarks of open, ‘objective’ and liberal journalism. They command awe, respect, not to mention a huge global market.        

Ideas and institutions gain respect and currency only when there is a force involved. And power does not want truth. It wants what it considers to be true as the truth so as to create conditions to perpetuate and reproduce that power. Truth, in other words, is the enemy of power. Now that’s an anomaly, because the media, by definition, is supposed to bring out the truth to its patrons. But truth does not get you money and market, proximity to power does. So what you get instead from the American mainstream media, patronized by the dominant powers-that-be, is not truth, but manufactured truths, propaganda, cover-ups, misinformation, concealment of information, and even blatant lies that gradually gain the force of truth simply because, as Hitler once said, they must be repeated ad nauseum.

In other words, the mainstream media in the US has consistently prided itself at being the handmaiden of the dominant powers – political, economic, military and cultural. They have acted as tools to indoctrinate, provoke, preach, misinform, and even numb the Americans towards what perhaps the best-known American intellectual Noam Chomsky calls ‘the manufacture of consent’. It is this consent that has helped the American empire invade, kill, loot and dominate as it wished with absolute impunity.

How else do we explain the blatant lies that the American media spread on the presence of what they call the weapons of mass destruction in Iraq? What else explains the blacking out of any proper coverage of the massive Occupy movements across the US against what millions of Americans called crony capitalism? How else do we explain the complete erasure of any critical thought and ideas in the American mainstream media? Why is it that a ‘dangerous thinker’ like Arundhati Roy can be published in the Indian mainstream magazines and newspapers while it’s almost impossible to read anything from a Chomsky or a Howard Zinn or even a Jesse Jackson in the American press? How else do we explain the jokes about George W Bush’s famous IQ and Mitt Romney calling the Sikhs ‘Sheikhs’ while mourning the Wisconsin victims? How else can we explain the tragic ignorance of the Americans on the global affairs, a deliberate ignorance sustained by its media so as to keep them from knowing and thinking? How do we account for a complete consensus among the American minds – and its media – over the virtues of capitalism and consumerism? What else explains the American media’s obsession with sports, celebrities and pop culture? Where has the alternate space gone?        

It is when we try to answer these questions that we realize the hypocrisy behind what happened to Zakaria. It is at that moment that the ‘hallowed’ institutions of great journalism like the Time begin to look hollow and pedantic. Can’t it be easily alleged that the magazine and the news channel acted so promptly only because the issue that Zakaria had touched in his piece threatens the core of the American Inc.? Even after hundreds of shooting incidents all over the country in which hundreds of children, women and other innocents have been killed, it is naïve to talk about gun control in the US. A Michael Moore may cry hoarse after the tragic Columbine shooting or as we see now, one of the most powerful editors in the world may ask for a renewed debate on the issue. But the status quo is important and profitable, and must be sustained by the press. What is at stake is not only a multi-billion-dollar industry, but a culture of violence that helps the American empire make bombing children, millions of deaths and foreign wars a normative American reality which makes the Americans look ‘cool’.     

That explains why any rational voice that challenges the status quo is perceived as dangerous and must be muzzled. That explains why Americans were perhaps more horrified by their popular TV host lifting a paragraph from a historian’s essay and less at the absence of any political or social will to check the proliferation of deadly weapons in their schools, streets, churches, temples and even their bedrooms. To talk of ‘acknowledgment’ and ‘respect’ for other’s writings in a scenario where a crazed racist shoots down six people in cold blood at a small-town Gurudwara only appears as a cruel joke. While Fareed Zakaria is censured in the name of ‘ethics’ and ‘error of judgement’, there has been little talk of censuring a culture that believes in killing people.

As he is silenced the moment he raised that question, I wonder what questions must be coming to Zakaria’s mind now. I bet he is agonizing over what is worse – not attributing a piece of information to somebody who also agrees with your ideas, or being the lapdog – and not the watchdog – of the powers-that-be?
 
What do you think?

Thursday, January 10, 2008

The Incomprehensible India

I just saw the notoriously flamboyant Samajwadi Party politician Amar Singh shooting for a Bengali film in Kolkata! Interesting? Of course. Wait, as the plot further thickens. He is shooting for a film that tells the story of a woman who, after being victimized by the 'system', takes the help of Naxalites for her revenge and justice. Guess who is playing the woman? His party colleague and one of the most beautiful faces of both Indian politics as well as cinema, Jaya Prada.

This is one of the many examples of an incomprehensible India for me. In a way, I celebrate this incomprehensibility. Things that get fossilized into a fixed meaning or signification are, for lack of a better word, dangerous. Republican or Democrat is dangerous, as is the hugely expensive farce of an American democracy. East or West is dangerous, and so is Black or White. India, on the other hand, with its myriad contradictions, comes as a relief to me.

That explains my strange sense of comfort at seeing Amar Singh or Jaya Prada act in a film that glorifies Naxalism. In Parliament, they might sit in their 'fixed' corners and among their fellow partymen. In elections, they will stand for their own party and its candidates, never failing to smear their opponents, especially if they are from the extreme left of the Naxal kind. In an India that projects itself as the next economic superpower and divides itself into a new category of SEZs and non-SEZs land, Naxalism and its brand of politics has to be disgusting. But a film? Oh, that's a different territory, quite literally. I have a strong feeling that these two actors-cum-politicians will even get away with the act, with no mainstream media interested in this heartening contradiction.

This explains why Congress resembles BJP at certain times and places. Or worse still, CPM resembles BJP and Congress at other places (called Nandigram and Singur for the uninitiated). That explains why a hardcore Dalit politician called Mayawati gets away with the most astonishing flip-flop of India's political theatre and becomes the darling of Brahmins in Uttar Pradesh. It even explains how a slogan like 'Chak De India', created explicitly to challenge the imperialism of cricket in India and restore its national game, becomes the war-cry of cricket-crazy fans when Yuvraj hits sixes. No questions asked... no eyebrows raised... the spectacle called India continues.

I can think of numerous other examples. How about a nation with the largest number of female Gods as well as one of the most dismal records of gender justice? How about the contradiction of all contradictions - one India contradicting the other? As Amitabh Bachchan says in one of his many celebratory spots on 'India Shining' - "there is one India that dreams, and the other India that hopes"!

The incomprehensibility continues, no matter which side you choose.